About Me

I came to photography the way many people do—through travel. At first, it was about capturing the spectacle: new places, vivid colours, fleeting moments. But over time, that began to feel like chasing a kind of borrowed joy. Lately, my work has turned inward.

Now I photograph mostly close to home. I’m drawn to quiet scenes, subtle gestures, and the feeling that something is slightly off or missing. My practice explores the tension between appearance and experience—between the surface of things and their emotional undertow. I’m interested in the subtle dislocations of daily life, and how they mirror a deeper sense of interior drift.

I'm currently studying psychology. It’s shifted the way I think about perception, attention, and the quiet ways people carry emotion. That perspective filters into my work, which often lingers in spaces of ambiguity—where something has just passed, or hasn’t quite arrived.

I tend to approach composition with restraint, allowing space for stillness and for the subject to speak on its own terms. In that space, I try to leave room for peace—or at least the quiet recognition of what’s been lost.

This site is a growing record of how I’ve tried to make sense of the world—through photography, through movement, through the unsettled space between homes.